Music is the beautiful communication of vibrations in space, as perceived by our ears and interpreted by our brains, and the ultimate aural expression of our existential experience of life. In the words of E.T.A. Hoffman, “Music discloses to man an unknown realm, a world in which he leaves behind him all definite feelings to surrender himself to an inexpressible longing.”

Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.

The Guild Cinema has a variety of movies to choose from, especially cool musical documentaries like A Band Called Death and Heart of a Dog. If you are a movie aficionado, try this place first before you try the bigger chains. You’ll be surprised at how low key and enjoyable this locally owned theater is! And don’t forget the popcorn seasoning.

Art grants for schools

All this was in aid of reinforcing the narrative and emotional quality of his work. And so, Berg’s Lulu features not just one tone row but several. This not only creates a welcome diversity of harmonic material, but clearly harks back to earlier operatic techniques such as Wagner’s famous leitmotifs. For example, the tone row associated with the character Lulu herself is rendered in C as follows: C E F D G A G♭ A♭ C♭ B♭ E♭ D♭.

House concerts are often built around local musical and friend communities, so there tends to be a healthier audience circuit than at most venues. Whether you’re passing through or playing in your own town, you might not have to hustle as hard to gain access to these communities and share your music with them. Knowing whether anyone is going to show up or not is always a worry for unestablished touring bands playing regular venues, but house shows usually offer small yet reliable crowds.

My wife and I had moved to Nashville and were just starting the process of buying a house. We talked to several lenders to get pre-approval (my understanding was that it made the process go smoother), and every conversation went something like this.

Oh, KanTay (I promise I didn’t make that up, and I am already regretting using it). Before all of this “Famous” garbage happened, Taylor Swift and Kanye West had a hilarious run-in at the VMA’s way back in 2009. Well, not hilarious for them. But super funny for the rest of the world watching.

The idea behind this concept is to provide an end-to-end management of the production chain that will allow artists to focus on creating their music and that will also facilitate their label’s work by sparing them a lot of hassle, stress and risky investment. Vinyl manufacturing is, indeed, expensive and requires great expertise. (I wouldn’t advise anyone to try and produce vinyl records without knowing a thing about it!)

Undergraduate music scholarships for international students

Whether you’re looking to upgrade your podcasting setup or just getting started on your first transmission, here are 8 mics that’ll help you sound great!

“We want to help people become better listeners and help them identify and understand the music they actually love, so they can confidently find more of it.”

After mapping out the framework between the chords, bass, and drum loops, I found a perfect vocal loop to sneak into this track. That’s Kim Mayo’s (of The Love Experiment and Moonheart) incredible and undeniably unique voice first sampled at 0:22.

The key to editing is storytelling. Does this story make sense? Would it flow better to have certain parts shifted around? Does the tangent the guest went off on ever come back around to the theme? You would edit a written piece that gets published, just as I am doing as I write this. The same needs to be done for an audio piece.

[AC]: “That’s fundamentally the trouble of trying to apply specific scientific experiments to songs. The whole idea of scientific experiments is to try to control as many things as possible, and sometimes that ends up happening by stripping away some of the things that happen in real life: like lyrics, like meter, and so on. And now you have this song, which has all these extra things that are not part of music cognition experiments — anything you say that the scientific experiments might predict are confounded by the fact that in real life, there are all these other things that weren’t part of the experiment.”