Whether used by accident or on purpose, it does tend to work. If you look closely at the melody of “Sugar, We’re Goin’ Down” by Fall Out Boy, you’ll notice it places the same amount of focus on those short scale intervals. The first vocal line even sounds like a nursery rhyme, with a see-saw-style melody: D-E-F#-E-D-E-F#-E-D.
Even though the music industry is littered with cautionary tales of legendary songwriters who signed away their rights, it still exists as an option for songwriters with a back catalog of valuable songs. Songwriters in need of quick cash can contact companies like Royalty Exchange who will auction off some or all of their songs to the highest bidder. Publishing companies also often purchase portions or entire catalogs from writers for large sums of money.
Our free courses in the realm of home recording include: Demo Recording 101, Any Sound Will Do, and Live Clicks and Backing Tracks. Bear in mind that none of these come with personalized mentorship built in, but they make great supplemental materials to help you improve specific useful skills and expand your knowhow for free.
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But sometimes your gear has to get out of the way to let you create. Buying something new might not be the answer if your gear collection is getting overwhelming. Before you give in to G.A.S. and add a new piece to your collection, find out if there’s something you could retire to decrease the clutter.
“The introduction of the first dissonant tone (the seventh partial), signifies that in this life some ‘dissonance’ must be mixed in; the number seven represents the totality of heaven and earth together” (Chafe, Allegorical Music).
Here’s an easy example: If you’re trying to attract women listeners between the ages of 25 and 35, but NBS alerts you that your audience is actually mostly made up of men in their 60s, you might need to re-evaluate your online marketing strategy. Or, lean into this successful demographic by doubling down on your efforts.
+ This article comes directly from Soundfly’s brand new mentored online course, Songwriting for Producers. If you’re producing music at home, you need to check out this course to learn the techniques and strategies of pro songwriters, master an efficient and productive workflow, and bone up on how simple music theory can improve your storytelling arc. Free preview here.
Looking to enhance your knowledge and mixing skills, practice your chops, and build your portfolio of work? We definitely have an online course for you.
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You knew this was coming. But you know what, we’re proud of our humble blog, Flypaper. Here you can read about almost every single aspect of music-making, as well as deep dives into music history, production tutorials, interviews, photo essays, tour diaries, etc., and from literally the best music writers on the planet! And if you really want to keep up to date, make sure to sign up for our weekly newsletter, the Soundfly Weekly, and learn something new every Tuesday without leaving your inbox.
Whether you are a seasoned songwriter or you have just recently begun to write your own music, an important part of songwriting involves being self aware. Knowing what makes you tick will spur your creativity in new and unexpected ways. What kind of music do you enjoy listening to? How does your taste in music reflect the style of songs that you want to craft? How do certain grooves and tonalities make you feel? Which events and stories from your own life or the lives of others around you inspire you? These are all questions for self reflection while trying to write music.
Spitfire Audio Labs is a software instrument made by musicians in London. The company releases new digital instruments every month, so you can continue to build your collection of sounds. The instruments are created with samples from keyboards, strings, guitars, and synthesizers. A lot of the sounds have a very cinematic tone to them, but they can be used in other capacities by adjusting the simple sliders on the plugin that control their expression and dynamics. The large dial in the center controls variations such as reverb, attack, decay, sustain, and release.
We took inspiration from the concept of crowdfunding indeed. We realized that, in many ways, the best way to help artists fund their projects was to call out their community. Today, fans like to get involved in the music they love, and they want to actively support artists. Musical projects count for 10 to 20% of all crowdfunding projects in France. In the United States, 20% of the Kickstarter projects that reach their objective are musical projects.
It’s worth investing time developing a melody that allows your lyrical idea to fully register with the audience. So how do you write a tune that folks can remember irrespective of the lyrics? One that you can play as well as sing, one that is immediately recognizable covered by any one of a glockenspiel band, a choir, a bagpipe, or a thumb piano?