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Whether used by accident or on purpose, it does tend to work. If you look closely at the melody of “Sugar, We’re Goin’ Down” by Fall Out Boy, you’ll notice it places the same amount of focus on those short scale intervals. The first vocal line even sounds like a nursery rhyme, with a see-saw-style melody: D-E-F#-E-D-E-F#-E-D.

Even though the music industry is littered with cautionary tales of legendary songwriters who signed away their rights, it still exists as an option for songwriters with a back catalog of valuable songs. Songwriters in need of quick cash can contact companies like Royalty Exchange who will auction off some or all of their songs to the highest bidder. Publishing companies also often purchase portions or entire catalogs from writers for large sums of money.

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Just like your mind and your muscles, your ears also have a shelf life. Go too long without taking a break, and you’ll run the risk of not being able to separate good takes from bad ones. It might sound odd to recommend taking breaks as a time-saving tool for home-recording, but keeping your dexterity as well as your listening skills sharp will protect you from making costly recording mistakes.

Over our C minor chord, we get a triplet figure of all B♭s, making the chord a C minor 7. This is followed by the use of a passing tone (Ab) to get from the 7th to the 5th. Finally, over the B♭, we have an F (the fifth of the chord), moving to a G (the 13th, another tension).